{"id":432,"date":"2025-06-10T08:00:00","date_gmt":"2025-06-10T06:00:00","guid":{"rendered":"https:\/\/www.darioriccio.com\/immersive-cinema-is-the-future\/"},"modified":"2025-06-11T09:49:48","modified_gmt":"2025-06-11T07:49:48","slug":"immersive-cinema-is-the-future","status":"publish","type":"post","link":"https:\/\/blog.theusualnext.com\/en\/immersive-cinema-is-the-future\/","title":{"rendered":"Immersive cinema is the future"},"content":{"rendered":"\n

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Current cinema, a modern derivation of the ancient analog, has five characteristics: static<\/em> and linear structure<\/em>, dual mode<\/em>, episodic<\/em>, mainly in third person<\/em> and not interactive<\/em>. We will see later what each of these voices means, while I continue to think about what the cinema of the future will be<\/strong>, about immersive cinema, and how to make a good prototype.<\/p>\n\n\n\n

I started this article on a Swiss train, and finished it at Barcelona’s charming Espai Joliu<\/a>. I love trains, being able to work or relax while moving between two locations. Among my corporate benefits is the general season ticket for all means of transport in Switzerland: my luck. A few days off from work, I take the opportunity to reach Domodossola (the first Italian town across the border), or wander the length and breadth of the country of the Helvetians, which reserves surprises and magical corners almost everywhere.<\/p>\n\n\n\n

\"Trains
Trains in Spiez, Switzerland<\/figcaption><\/figure>\n\n\n\n
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