{"id":238,"date":"2025-06-10T05:00:58","date_gmt":"2025-06-10T03:00:58","guid":{"rendered":"https:\/\/www.darioriccio.com\/2022\/02\/09\/the-future-of-technology-in-art\/"},"modified":"2025-06-11T09:50:17","modified_gmt":"2025-06-11T07:50:17","slug":"the-future-of-technology-in-art","status":"publish","type":"post","link":"https:\/\/blog.theusualnext.com\/en\/the-future-of-technology-in-art\/","title":{"rendered":"The future of technology in art"},"content":{"rendered":"\n

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I come from an interactive exhibition on Deep Fake in the arts, hosted in the pavilions of the Polytechnic University of Lausanne (EPFL)<\/a>. This Swiss institution, which in 2019 developed the technology for the recognition of “human” deepfakes,<\/a> is a world-class excellence in the field of science and technology. He wants to help us understand the future of technology in art.<\/p>\n\n\n\n

The theme is very topical; digital allows you to create artistic fakes that are almost indistinguishable from the original. But it also allows the use of the works away from their places of origin<\/strong>, to circumvent political or security problems. And it is on this that the organizers have concentrated, to evaluate the ability of a copy to cause lasting emotions over time.<\/p>\n\n\n\n

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